Le Bardo, Tunisia - Palais Beylical - postcard c.1980s

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information (internal links may not  work) :

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Le Bardo (Arabic: الباردو‎  El bardow also Bārdaw, Bardaw, and Bardois) is a Tunisian city west of Tunis. As of 2004, the population is 73,953.

Built by the Hafsid dynasty in the 15th century, the name Bardo comes from the Spanish word "prado" meaning a garden. Bardo became a residence of the Tunis court in the 18th century. With the arrival of Husseinite beys, Bardo became a political, intellectual and religious center. The ancient beys' residence was the site of the Tunisian National Assembly headquarters, and the National Museum opened there in 1882.

The city gave its name to the Treaty of Bardo, signed in nearby Ksar Saïd Palace, which placed Tunisia under a French protectorate in 1881.

The Bardo National Museum (Arabic: المتحف الوطني بباردو‎, translit. al-Matḥaf al-Waṭanī bi-Bārdū; French: Musée national du Bardo) is a museum of Tunis, Tunisia, located in the suburbs of Le Bardo.

It is one of the most important museums in the Mediterranean region and the second museum of the African continent after the Egyptian Museum of Cairo by richness of its collections.^[1] It traces the history of Tunisia over several millennia and across several civilizations through a wide variety of archaeological pieces.

Housed in an old beylical palace since 1888, it offers a prestigious and magnificent setting for the exhibition of many major works discovered since the beginning of archaeological research in the country. Originally called Alaoui Museum (Arabic: المتحف العلوي‎, translit. al-Matḥaf al-ʿAlawī), named after the reigning bey at the time, it takes its current name of Bardo Museum after the independence of the country even if the denomination is attested before that date.

The museum houses one of the finest and largest collections of Roman mosaics in the world, thanks to the excavations at the beginning of 20th century in various archaeological sites in the country including Carthage, Hadrumetum, Dougga and Utica. Some of the displayed works have no equivalent, such as the Virgil Mosaic. Generally, the mosaics of Bardo represent a unique source for research on everyday life in Roman Africa. From the Roman era, the museum also contains a rich collection of marble statues representing the deities and the Roman emperors found on different sites including those of Carthage and Thuburbo Majus.

The museum also has some rich pieces discovered during the excavations of Libyco-Punic sites including mainly Carthage, although the National Museum of Carthage has the vocation to be the museum of this major archaeological site. The essential pieces of this department are grimacing masks, terracotta statues and stelae of major interest for Semitic epigraphy, the stele of the priest and the child being the most famous. The museum also houses Greek works discovered especially in the excavations of the shipwreck of Mahdia, whose emblematic piece remains the bust of Aphrodite in marble, gnawed by the sea and yet still of a moving beauty.

The Islamic Department contains, in addition to famous works such as the Blue Qur'an of Kairouan, a collection of ceramics from the Maghreb and Anatolia.

In order to increase the reception capacity and optimize the presentation of the collections, the museum is the subject of a vast operation which was to be completed initially in 2011 but was not finished until 2012 due to the Tunisian Revolution. The work concerns the increase of the exhibition surfaces by adding new buildings and redeploying the collections. The project aims to make the museum a major pole for a quality cultural development, so that the visitor can appreciate the artistic pieces deposited.

On March 18, 2015, an Islamist terrorist group attacked the museum and took tourists hostage in the building. The attack, which killed 22 people including 21 foreign tourists, was claimed by ISIS.