Constable, John - Salisbury Cathedral & Archdeacon Fishers House - art postcard

Art Postcard
• Work of art title: John Constable (1776-1837)
• Artist (if known): Salisbury Cathedral and Archdeacon Fisher's House (sketch)
• Media or other details:  painting
• Publisher / Gallery: The National Gallery (London)
• Postally used:  no
• Stamp & postmark details (if relevant): n/a
• Size: modern
• Notes & condition details:

NOTES:

Size: 'Modern' is usually around 6in x 4in / 'Old Standard' is usually around 5 1/2in x 3 1/2in. Larger sizes mentioned, but if you need to know the exact size please ask.

All postcards are not totally new and are pre-owned. It's inevitable that older cards may show signs of ageing and use, particularly sent through the post. Any faults other than normal ageing are noted.

Stock No.: A506

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NOTE: All postcards are sent in brand new stiffened envelopes which I have bought for the task. These are specially made to protect postcards and you may be able to re-use them. In addition there are other costs to sending so the above charge is not just for the stamp!

I will give a full refund if you are not fully satisfied with the postcard.

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:

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John Constable, RA (/'k?nst?b?l? 'k?n-/;^[1] 11 June 1776 – 31 March 1837) was an English Romantic painter. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home—now known as ""Constable Country""—which he invested with an intensity of affection. ""I should paint my own places best"", he wrote to his friend John Fisher in 1821, ""painting is but another word for feeling"".^[2]

His most famous paintings include Wivenhoe Park of 1816,^[3]Dedham Vale of 1802 and The Hay Wain of 1821. Although his paintings are now among the most popular and valuable in British art, Constable was never financially successful. He did not become a member of the establishment until he was elected to the Royal Academy at the age of 52. His work was embraced in France, where he sold more works than in his native England and inspired the Barbizon school.

Salisbury Cathedral from the Bishop's Grounds is an 1823 painting by the nineteenth-century landscape painter John Constable (1776–1837). This image of Salisbury Cathedral, one of England's most famous medieval churches, is one of his most celebrated works, and was commissioned by one of his closest friends, John Fisher, The Bishop of Salisbury.

Constable visited Salisbury in 1820 and made a series of oil sketches of the cathedral, which served as the model for this composition. The artist selected a viewpoint from the bishop's garden and included figures of Dr. Fisher and his wife at the bottom left. Following its exhibition at the 1823 Royal Academy, Constable observed: ""My Cathedral looks very well....It was the most difficult subject in Landscape I ever had upon my Easel. I have not flinched at the work of the windows, buttresses, &c. - but I have as usual made my escape in the Evanescence of the Chiaro-Oscuro"". His patron took exception to the dark cloud over the cathedral, and when he commissioned a smaller replica, requested ""a more serene sky"".

The painting embodies the full range of qualities of a quintessentially British landscape painting – the clouds, trees, a water meadow, cattle drinking at the edge of the pasture and the glorious architecture of a medieval cathedral – but all on a human scale. Paintings like this one have so conditioned our view of rural Britain that it is now difficult to imagine a time when the countryside and country life were not held in such high regard.

A version of the painting also resides at the Frick Collection in New York City. It is slightly different in that it shows different weather and hence light. Whereas the London version depicts the cathedral with an overcast sky, the version in the Frick shows the cathedral with a clear, bright sky.

There is an earlier, homonymous version (1821-1822) of this painting at São Paulo Museum of Art in São Paulo.^[1] It is said that Fisher, seeing its sombre and grave colors, disliked it and asked for a happier, lighter one.

type=printed postcards

theme=artists signed

sub-theme=art

number of items=single

period=1945 - present

postage condition=unposted