Cosimo, Piero de - A Mythological Subject - art postcard
- Condition : Used
- Dispatch : 2 Days
- Brand : None
- ID# : 139728284
- Quantity : 1 item
- Views : 65
- Location : United Kingdom
- Seller : justthebook (+1600)
- Barcode : None
- Start : Tue 19 May 2015 00:11:24 (BST)
- Close : Run Until Sold
- Remain : Run Until Sold
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Seller's Description
- Art Postcard
- Work of art title: A Mythological Subject
- Artist (if known): Piero di Cosimo (c.1492-after 1515)
- Media or other details: painting
- Publisher / Gallery: national Gallery, London
- Postally used: no
- Stamp & postmark details (if relevant): n/a
- Size: modern
- Notes & condition details:
NOTES:
Size: 'Modern' is usually around 6in x 4in / 'Old Standard' is usually around 5 1/2in x 3 1/2in. Larger sizes mentioned, but if you need to know the exact size please ask.
All postcards are not totally new and are pre-owned. It's inevitable that older cards may show signs of ageing and use, particularly sent through the post. Any faults other than normal ageing are noted.
Stock No.: A794
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Postage & Packing:
Postage and packing charge should be showing for your location (contact if not sure).
No additional charges for more than one postcard. You can buy as many postcards from me as you like and you will just pay the fee above once. Please wait for combined invoice. (If buying postcards with other things such as books, please contact or wait for invoice before paying).
Payment Methods:
UK - PayPal, Cheque (from UK bank) or postal order
Outside UK: PayPal ONLY (unless otherwise stated) please. NO non-UK currency checks or money orders (sorry).
NOTE: All postcards are sent in brand new stiffened envelopes which I have bought for the task. These are specially made to protect postcards and you may be able to re-use them. In addition there are other costs to sending so the above charge is not just for the stamp!
I will give a full refund if you are not fully satisfied with the postcard.
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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:
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Piero di Cosimo (2 January 1462[1] – 12 April 1522), also known as Piero di Lorenzo, was an Italian Renaissance painter.[2]
The son of a goldsmith, Piero was born in Florence and apprenticed under the artist Cosimo Rosseli, from whom he derived his popular name and whom he assisted in the painting of the Sistine Chapel in 1481.
In the first phase of his career, Piero was influenced by the Netherlandish naturalism of Hugo van der Goes, whose Portinari Triptych (now at the Uffizi Gallery in Florence) helped to lead the whole of Florentine painting into new channels. From him, most probably, Cosimo acquired the love of landscape and the intimate knowledge of the growth of flowers and of animal life. The manner of Hugo van der Goes is especially apparent in the Adoration of the Shepherds, at the Berlin Museum.
He journeyed to Rome in 1482 with his master, Rosselli. He proved himself a true child of the Renaissance by depicting subjects of Classical mythology in such pictures as the Venus, Mars, and Cupid, The Death of Procris, the Perseus and Andromeda series, at the Uffizi, and many others. Inspired to the Vitruvius' account of the evolution of man, Piero's mythical compositions show the bizarre presence of hybrid forms of men and animals, or the man learning to use fire and tools. The multitudes of nudes in these works shows the influence of Luca Signorelli on Piero's art.
During his lifetime, Cosimo acquired a reputation for eccentricity—a reputation enhanced and exaggerated by later commentators such as Giorgio Vasari, who included a biography of Piero di Cosimo in his Lives of the Artists.[3] Reportedly, he was frightened of thunderstorms, and so pyrophobic that he rarely cooked his food; he lived largely on hard-boiled eggs, which he prepared 50 at a time while boiling glue for his artworks.[4] He also resisted any cleaning of his studio, or trimming of the fruit trees of his orchard; he lived, wrote Vasari, ""more like a beast than a man"".
If, as Vasari asserts, he spent the last years of his life in gloomy retirement, the change was probably due to preacher Girolamo Savonarola, under whose influence he turned his attention once more to religious art. The death of his master Roselli may also have had an impact on Piero's morose elder years. The Immaculate Conception with Saints, at the Uffizi, and the Holy Family, at Dresden, illustrate the religious fervour to which he was stimulated by Savonarola.
With the exception of the landscape background in Rosselli's fresco of the Sermon on the Mount, in the Sistine Chapel, there is no record of any fresco work from his brush. On the other hand, Piero enjoyed a great reputation as a portrait painter: the most famous of his work is in fact the portrait of a Florentine noblewoman, Simonetta Vespucci, mistress of Giuliano de' Medici. According to Vasari, Piero excelled in designing pageants and triumphal processions for the pleasure-loving youths of Florence, and gives a vivid description of one such procession at the end of the carnival of 1507, which illustrated the triumph of death. Piero di Cosimo exercised considerable influence upon his fellow pupils Albertinelli and Bartolomeo della Porta, and was the master of Andrea del Sarto.
Vasari gave Piero's date of death as 1521, and this date is still repeated by many sources, including the Encyclopædia Britannica.[5] However, contemporary documents reveal that he died of plague on 12 April 1522.[6]
type=printed postcards
theme=artists signed
sub-theme=art
number of items=single
period=1945 - present
postage condition=unposted
Listing Information
Listing Type | Gallery Listing |
Listing ID# | 139728284 |
Start Time | Tue 19 May 2015 00:11:24 (BST) |
Close Time | Run Until Sold |
Starting Bid | Fixed Price (no bidding) |
Item Condition | Used |
Bids | 0 |
Views | 65 |
Dispatch Time | 2 Days |
Quantity | 1 |
Location | United Kingdom |
Auto Extend | No |